elizabeth-alexander

Elizabeth Alexander (b. 1962) grew up in the Carolinas and Appalachian Ohio. Her love of music, language and challenging questions is reflected in her catalog of over 150 compositions in a wide variety of classical and vernacular styles. Her commissions have included music for orchestras, chamber ensembles, solo voices, and especially her choral pieces, which have been performed by thousands of choruses worldwide.

Her theatrically-inclined works include the one-woman concert-length Nature Creature as well as dozens of theater songs pretending to be art songs and choral pieces. Her current project, Split Hickory, is set in present-day Appalachia, and draws from Americana and folk music styles from the past hundred years. Selections from Split Hickory were recently workshopped at Nautilus Music-Theater’s Rough Cuts (Minneapolis). A more indepth reading and workshop in scheduled for Fall 2022 at Shawnee State University (Portsmouth, Ohio).

Alexander‘s text settings of both original lyrics and the words of others prompted Choral Director Magazine to write that “her mastery of prosody and declamation results in a marriage between music and text that is dynamic and indelible.” Other reviewers have described her music as “brilliantly innovative” (New York Concert Review), “truly inspired” (Boston Intelligencer) and “stunning…exquisite…sculpting light into sound” (Kansas City Metropolis).

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Faith Is the Bird that Feels the LightVoicing: SSA  Solo(s): Soprano  Instrumentation: Unaccompanied  Performance Length: 3:00  Notation: Standard  Text Source: Rabindranath Tagore  Language: English  Seasonal/Liturgical Use: Solstice, Equinox  Descriptive Terms: Bird, Darkness, Dawn, Faith, Light  First Performance: Oct 21, 2005: Women’s Ensemble of Unity Church-Unitarian, Elizabeth Alexander, Unity Church-Unitarian, Saint Paul, MN    Text SettingComposer’s NotesSource for Scores(P:E 318/319~2016-Q1)
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