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Four Love Songs by Jim TaylorVoicing: SSA  Solo(s): Solo Soprano In La Reina  Instrumentation: Piano, Alto Saxophone (on #2), Guitar, Latin Percussion (on #4)  Performance Length: 14:15  Notation: Standard  Text Source: Daniel Potts, Stephane Mallarme, William Shakespeare, Pablo Neruda  Language: English, French, Spanish  Descriptive Terms: Love Songs: Impressionism, Bossa Nova, Delicate Choral  First Performance: November 20, 2007 : The Alabama Women’s Chorale, Jim Taylor, Moody Music Building, University of Alabama    Text SettingComposer’s NotesSource for Scores(P:E 1222/1722~2023-Q2)
Like Softest Music by Caroline MalloneeVoicing: SATB-SATB  Instrumentation: Unaccompanied  Performance Length: 4:15  Notation: Standard  Text Source: William Shakespeare  Language: English  Descriptive Terms: Contemplation, Love, Hope, Devotion, Shakespeare, Music  First Performance: October 24, 2021 : Vocalis Chamber Choir, James Burritt, Buffalo, NY    Text SettingComposer’s NotesSource for Scores(P:E 676/1635~2022-Q2)
Four Elizabethan Songs about Love (2016-2018) by Colin EatockVoicing: SATB  Instrumentation: Unaccompanied  Performance Length: 9:20  Notation: Standard  Text Source: Christopher Marlowe, Queen Elizabeth I, John Donne, William Shakespeare  Language: English  Seasonal/Liturgical Use: Valentine’s Day  Descriptive Terms: Love, Elizabethan, English  First Performance: May 31, 2021 : Giovanni Consort, Kate McNamara, St. Mary’s Anglican Church, Perth, Australia    Text SettingComposer’s NotesSource for Scores(P:E 868/1537~2021-Q2)
My Mistress’ Eyes by Christopher J. HohVoicing: SATB  Instrumentation: Unaccompanied  Performance Length: 5:30  Notation: Standard  Text Source: William Shakespeare, Sonnet 130  Language: English  Descriptive Terms: Fun, Funny, Love, Showpiece, Spoof  First Performance: Jun 21, 2014: Meistersingers, Brian Dehn, Tustin, California    Text SettingComposer’s NotesSource for Scores(P:E 285/886~2018-Q4)
Fear No More by Donald M. SkirvinVoicing: SATB  Instrumentation: Unaccompanied  Performance Length: 6:55  Notation: Standard  Text Source: William Shakespeare, Cymbeline  Language: English  Seasonal/Liturgical Use: Memorial Services  Descriptive Terms: Consolation, Death, Threnody  First Performance: Feb 11, 2018: Seattle Pro Musica, Karen P. Thomas, St. John’s Episcopal Church, Olympia WA    Text SettingComposer’s NotesSource for Scores(P:E 573/816~2018-Q2)
Full Many a Glorious Morning by Jessica FrenchVoicing: SSAA  Instrumentation: Unaccompanied  Performance Length: 5:15  Notation: Standard  Text Source: William Shakespeare  Language: English  Seasonal/Liturgical Use: Spring  Descriptive Terms: Cloud, Loss, Love, Nature, Sun  First Performance: Mar 11, 2018: Seattle Pro Musica, Karen P. Thomas, Trinity Lutheran Church, Lynwood, WA    Text SettingComposer’s NotesSource for Scores(P:E 593/794~2018-Q2)
Sonnet 104 by J. David MooreVoicing: SSATTB  Instrumentation: Horn  Performance Length: 4:05  Notation: Standard  Text Source: William Shakespeare  Language: English  Seasonal/Liturgical Use: Summer  Descriptive Terms: Anniversary, Celebration, Marriage, Mature Love, Partnership  First Performance: Jun 01, 2007: The Sapphire Consort, James Miller, Wisconsin Rapids, WI    Text SettingComposer’s NotesSource for Scores(P:E 673/769~2018-Q1)
Sonnet No. 116 by Norman MathewsVoicing: SATB  Instrumentation: Piano, Flute, Oboe  Performance Length: 7:20  Notation: Standard  Text Source: William Shakespeare  Language: English  Descriptive Terms: Love, Shakespeare, Sonnet, Time  First Performance: Nov 14, 2015: The First Readings Project, J. David Moore, Studio Z, St. Paul, Minnesota    Text SettingComposer’s NotesSource for Scores(P:E 164/293~2015-Q2)
Hey Ho, the Wind and the Rain by Jeffrey BiegelVoicing: SSAA  Instrumentation: Piano  Performance Length: 4:00  Notation: Standard  Text Source: William Shakespeare, Twelfth Night  Language: English  Descriptive Terms: Shakespeare  First Performance: Feb 21, 2007: Voci Nobili, Maria Gamborg Helbekkmo, Merkin Concert Hall, NY    Text SettingComposer’s NotesSource for Scores(P:E 274/275~2015-Q1)
An Ever-Fixed Mark by Jamie Klenetsky FayVoicing: SSAATTBB  Instrumentation: Unaccompanied  Performance Length: 4:51  Notation: Standard  Text Source: William Shakespeare  Language: English  Seasonal/Liturgical Use: Weddings  Descriptive Terms: Love, Marriage, Relationship, Shakespeare  First Performance: Feb 25, 2010: C4 Ensemble, Erica Lowe, Church for All Nations, New York, NY    Text SettingComposer’s NotesSource for Scores(P:E 137/138)
Shakespeare’s 18th Sonnet by Matthew H. FieldsVoicing: SATB  Instrumentation: Unaccompanied  Performance Length: 3:30  Notation: Standard  Text Source: William Shakespeare  Language: English  Descriptive Terms: Epitaph, Madrigal, Shakespeare  First Performance: Aug 01, 1999: Vocal Arts Ensemble Ann Arbor, Benjamin Cohen, St Andrews Episcopal Church, Ann Arbor, Michigan, USA    Text SettingComposer’s NotesSource for Scores(P:E 88/89)
Signifying Nothing by Karen SiegelVoicing: SATB  Instrumentation: Unaccompanied  Performance Length: 4:00  Notation: Standard  Text Source: William Shakespeare, Macbeth  Language: English  Descriptive Terms: Death, Existentialism, Polyrhythm, Shakespeare, Time  First Performance: Feb 25, 2010: C4: the Choral Composer/Conductor Collective, David Rentz, Church for All Nations and St. Ignatius of Antioch Episcopal Church, NY    Text SettingComposer’s NotesSource for Scores(P:E 222/229)
Sonnet No. 61 by Norman MathewsVoicing: SATB  Instrumentation: Piano, Oboe  Performance Length: 4:12  Notation: Standard  Text Source: William Shakespeare  Language: English  Descriptive Terms: Dreams, Insomnia, Longing, Love, Shakespeare, Sonnet  First Performance: Feb 19, 2011: VocalEssence, Philip Brunelle, Sundin Music Hall, St. Paul, MN    Text SettingSource for Scores(P:E 164/165)
Three Shakespeare Songs by Steve CohenVoicing: SATB  Solo(s): Tenor, Bass  Instrumentation: Unaccompanied  Performance Length: 7:30  Notation: Standard  Text Source: William Shakespeare, Twelfth Night  Language: English  Seasonal/Liturgical Use: Shakespeare’s Birthday  Descriptive Terms: Philosophy, Shakespeare, Songs  First Performance: Feb 13, 1999: Gregg Smith Singers, Greg Smith, St. Peter’s Church New York NY    Text SettingComposer’s NotesSource for Scores(P:E 65/66)
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