Praised by the New York Times for his “polished orchestration” that “glitters, from big-shoulders brass to eerily floating strings,” Michael Ippolito’s music has been performed by leading musicians in venues around the world. Drawing on a rich musical background of classical and folk music, and taking inspiration from visual art, literature and other art forms, he has forged a distinctive musical voice in a body of work spanning orchestral, chamber and vocal music.

His orchestral music has been conducted by Edo de Waart, Marin Alsop, Michael Francis, David Alan Miller, and Jeffrey Milarsky in performances by the Chicago Symphony Orchestra, Dallas Symphony Orchestra, San Diego Symphony Orchestra, Milwaukee Symphony Orchestra, Nashville Symphony, Florida Orchestra, Cabrillo Festival Orchestra, Albany Symphony Orchestra, and Juilliard Orchestra. His chamber music has been performed by the Attacca Quartet, Miró Quartet, Hub New Music, Altius Quartet, and Dinosaur Annex, among others, and his vocal music has been performed by sopranos Joèlle Harvey and Lindsay Kesselman, mezzo-soprano Daveda Karanas, and baritone Will Liverman.

He has received commissions from numerous organizations, including Carnegie Hall and The ASCAP Foundation, The Florida Orchestra, Chamber Music America, the University of Georgia Wind Ensemble, Vocal Arts DC, Staatstheater Darmstadt, and the New York Choreographic Institute. He has received numerous awards, from the American Academy of Arts and Letters (Charles Ives Scholarship), The Juilliard School (Palmer Dixon Prize) and ASCAP (multiple ASCAP Plus Awards). Recently, his wind ensemble work West of the Sun was given an honorable mention in the 2014 Frederick Fennell Prize and his String Quartet No. 3 “Songlines” was selected 2019 Call for Scores winner by the Tesla Quartet.

He was a composer fellow at the Aspen Music Festival and the Cultivate program at the Copland House in 2012. From 2004-2011, he was a participating composer and performer in MusicX, an innovative festival of new music in Cincinnati and Switzerland, where he worked as General Manager from 2008-2011. He has also participated in the “Upbeat Hvar” International Summer School in Croatia, Yiddish Summer Weimar in Germany, and the Oregon Bach Festival’s Composers Symposium.

Ippolito is currently Associate Professor of Composition at Texas State University. He studied with John Corigliano at The Juilliard School and with Joel Hoffman and Michael Fiday at the Cincinnati College-Conservatory of Music.

Aenigmata, canonic pieces for high voicesVoicing: SSAA  Accompaniment: Unaccompanied  Performance Length: 12:30  Notation: Standard  Text Source: Symphosius  Language: Latin (Classical)  Descriptive Terms: Canons, Riddles, Latin, Secular  First Performance: April 17, 2016 : Texas State University Women’s Choir, Dr. Lynn Brinckmeyer, Texas State University (San Marcos, TX) Text Setting Composer’s Notes Source for Scores (P:E 1204/1588~2021-Q4)