joshua-fishbein

A choral conductor, pianist, and singer, Joshua Fishbein composes and arranges vocal and instrumental music, specializing in choral music. His compositions have won awards from the American Choral Directors Association, the American Composers Forum, BMI, Chorus America, Chorus Austin, the Guild of Temple Musicians, the National Lutheran Choir, The American Prize, and several other organizations. Professional vocal ensembles, such as Cantus, Chicago a cappella, The Thirteen, Volti, and Washington Master Chorale, have premiered Fishbein’s music. Steeped in Jewish music, he has composed and arranged several pieces of Jewish and interfaith music for chorus and solo voice.

Since 2015, Fishbein has instructed musicianship, theory, and arranging courses as an adjunct faculty member of The Peabody Institute of the Johns Hopkins University. Previously, he taught at The College of New Jersey, Towson University, the University of Maryland Baltimore County, and the University of Nevada Las Vegas. He also serves as Director of Music and Arts at Unitarian Universalist Congregation of Rockville and Artistic Director of the Maryland Choral Society. He previously served Episcopal and Jewish congregations in the Baltimore/D.C. and San Francisco Bay areas. Fishbein has sung baritone professionally with the Choirs of Washington National Cathedral, the Grace Cathedral Choir of Men and Boys, and Volti, among others.

Fishbein earned a Ph.D. in Music from the University of California Los Angeles, where he directed the UCLA Early Music Ensemble. He completed his Master of Music Composition at the San Francisco Conservatory of Music, with additional graduate studies at the University of Maryland. He served as assistant conductor to David Conte of the San Francisco Conservatory Chorus. He earned a Bachelor of Science in Psychology and Bachelor of Fine Arts in Music (Composition) from Carnegie Mellon University, where he won the Harry G. Archer Prize in orchestral composition.

Originally from Baltimore, Fishbein studied piano performance and music theory at The Peabody Preparatory. His composition teachers include Roger Bourland, Paul Chihara, David Conte, Richard Danielpour, Nancy Galbraith, Ian Krouse, David Lefkowitz, and Lawrence Moss. E.C. Schirmer, Hal Leonard, Transcontinental Music Publications, and Yelton Rhodes Music (Subito Music) publish Fishbein’s compositions.

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Magnify the LightVoicing: SSAATB  Instrumentation: Piano  Performance Length: 4:50  Notation: Standard  Text Source: A. D. Gordon, Emma Lazarus, Walt Whitman, Psalm 18  Language: English  Seasonal/Liturgical Use: Winter Holiday, Chanukah  Descriptive Terms: Light, Darkness, Miracles  First Performance: December 06, 2024 : Strathmore Youth Chorus, Michael Wu, Strathmore Music Hall, North Bethesda, Maryland    Text SettingSource for Scores(P:E 90/2022~2025-Q2)
Allahu Echad (God is One)Voicing: SATB (DIVISI)  Instrumentation: Violin  Performance Length: 6:00  Notation: Standard  Text Source: Deuteronomy 6:4, Adhan (Call to Worship)  Language: Hebrew, Arabic  Descriptive Terms: Intense, Dramatic, Ecumenical, Interfaith  First Performance: March 03, 2018 : National Lutheran Choir, David Cherwien, Augsburg College, Minneapolis, Minnesota    Text SettingComposer’s NotesSource for Scores(P:E 90/1723~2023-Q2)
Out of the Ashes of HolocaustVoicing: SATB  Solo(s): Soprano, Alto  Instrumentation: Violin, Cello, Piano  Performance Length: 22:18  Notation: Standard  Text Source: Marina and Joshua Fishbein, U.S. Congressional Record (1984)  Language: English  Seasonal/Liturgical Use: Holocaust Remembrance  Descriptive Terms: Emotional, Intense, Moving  First Performance: May 21, 2021 : Washington Master Chorale, Thomas Colohan, The Church of the Epiphany, Washington, D.C.    Text SettingComposer’s NotesSource for Scores(P:E 90/1585~2021-Q3)
Al HanisimVoicing: SATB  Instrumentation: Unaccompanied  Performance Length: 4:00  Notation: Standard  Text Source: Jewish Liturgy  Language: Hebrew  Seasonal/Liturgical Use: Hanukah, Purim, Yom Ha’atzmaut  Descriptive Terms: Calm, Grand, Majestic, Miracles, Stately  First Performance: Dec 20, 2017: Chorosynthesis, Wendy Moy and Jeremiah Selvey, Soma Tower, Belleveue, Washington    Text SettingSource for Scores(P:E 90/1104~2020-Q2)
Sunset SymphonyVoicing: SATB  Instrumentation: Unaccompanied  Performance Length: 5:20  Notation: Standard  Text Source: Nathan Brown  Language: English  Descriptive Terms: Beach, Nature, Ocean, Sky, Sunset  First Performance: May 05, 2018: Chorus Austin, Ryan Heller, St. Matthew’s Episcopal Church, Austin, Texas    Text SettingComposer’s NotesSource for Scores(P:E 90/1009~2019-Q4)
Psalms, Songs, and BluesVoicing: SSAATTBB  Solo(s): Soprano, Alto, Bass  Instrumentation: Harp, Trombone, Timpani, Percussion, Trumpet, Bass Trombone, Strings  Performance Length: 27:00  Notation: Standard  Text Source: Psalm 102, Psalm 55, Psalm 137, Jewish Liturgy  Language: English, Latin, Hebrew  Seasonal/Liturgical Use: Bernstein Companion  Descriptive Terms: Dramatic, Jewish, Judeo-christinan  First Performance: Dec 04, 2015: Manchester Choral Society, Plymouth State University Chorale, Dan Perkins, Nashua, New Hampshire    Text SettingComposer’s NotesSource for Scores(P:E 90/613~2017-Q2)
A Prep-School BoyVoicing: SSATBB  Instrumentation: Unaccompanied  Performance Length: 5:00  Notation: Standard  Text Source: Benjamin Britten  Language: English  Descriptive Terms: Boy, Britten, Childhood, School  First Performance: May 03, 2014: Cantate Chamber Singers, Gisele Becker, St. John’s Norwood Parish, Chevy Chase, Maryland    Text SettingSource for Scores(P:E 90/266~2015-Q1)
Afternoon on a HillVoicing: SATB  Instrumentation: Unaccompanied  Performance Length: 5:30  Notation: Standard  Text Source: Edna St. Vincent Millay  Language: English  Descriptive Terms: Afternoon, Light, Nature, Secular, Sun  First Performance: Mar 09, 2013: Young New Yorkers’ Chorus, Michael Kerschner, Irondale Center, Brooklyn, NY    Text SettingSource for Scores(P:E 90/91)
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